Booking eight customers for interviews takes eight months. Booking them at your own conference takes a sign-up sheet. We set up a small documentary studio down the hall from your keynote and you leave with a year of proof.
The hard part of a customer story has never been the camera. It's the calendar — the intro email, the legal check, the reschedule, the travel. Your event removes all four at once. Your customer is on site, in a good mood, already telling someone in the hallway why they switched.
We put a chair, a light and a good listener in the path of that conversation.
● All we need from you
→A list of customers you'd be proud to have on camera.
→A corner of the floor plan and one power outlet.
→Fifteen minutes of each customer's day. We handle the rest — the ask, the schedule, the releases.
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● What lands on site
A studio that fits in the corner of your floor plan.
Two cases of gear, two people, no cable runs across your carpet. We load in during setup and load out with everyone else.
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● The running order
One day, on the clock.
A real full-day schedule. You approve it two weeks out, then forget about it until load-out.
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● IN 00:41 · SPK 01
The best line of the day usually comes from the customer who said “I only have ten minutes.”
Front Range events include travel. Outside Colorado we add flights, lodging and gear shipping at cost — quoted in writing before you book. Written story kits from the same interviews are +$700 each.
● On the record
What event teams ask us.
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● Hold a date
When's your next event?
Send us the dates and the city. We'll come back with a running order, a shot list, and a fixed number — and we hold the date while you decide.
